Complimenting the photo essay is ‘Nayl Bil Tamani,’ a sonic composition by Kadisa. In this track, Kadisa weaves together what he calls ‘sonic artifacts’ of the Sudan Revolution of 2019 amidst a swell of droning ambient sounds. Echoed throughout the composition are recorded chants from the poetic work of Azhari Mohammed Ali, whose words became the catalyst of Sudanese resistance against tyranny.